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After Hitchcock: Influence, Imitation, and Intertextuality de David Boyd
Descripción - Críticas 'All in all, After Hitchcock is a readable and informative anthology that dares to present a different take on Hitchcock.' * Film International * Reseña del editor Thirteen original essays by leading film scholars reveal the richness and variety of Alfred Hitchcock's legacy as they trace his shaping influence on particular films, filmmakers, genres, and even on film criticism. Biografía del autor David Boyd is Research Associate in Film and English at the University of Newcastle in New South Wales, Australia. R. Barton Palmer is Calhoun Lemon Professor of Literature at Clemson University in Clemson, South Carolina, and author or editor of many books, including Hollywood's Tennessee: The Williams Films and Postwar America and After Hitchcock: Influence, Imitation, and Intertextuality.
Detalles del Libro
- Name: After Hitchcock: Influence, Imitation, and Intertextuality
- Autor: David Boyd
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 17 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
[Download] After Hitchcock: Influence, Imitation, and Intertextuality de David Boyd Libros Gratis en EPUB
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Calaméo - ALFRED HITCHCOCK ~ SCHROEDER, David, Hitchcock’s Ear : Music and the Director’s Art, London & New York, Continuum, mars 2010, 224 pages. Music is an underexplored dimension in Hitchcock s works. Taking a different view from most works on Hitchcock, David Schroeder focuses on how an expanded definition of music influences Hitchcock s conception of cinema.
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Anexo:Cameos de Alfred Hitchcock - Wikipedia, la ~ El director de cine británico Alfred Hitchcock hizo treinta y nueve cameos en las más de cincuenta películas que dirigió en un periodo de cincuenta años. [1] [2] Su primera aparición se presentó en The Lodger: A Story of the London Fog (1927) y aunque en un inicio tuvo un sentido utilitario, acabó por convertirse en una característica de la obra hitchcockniana. [3]
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